Dennis Bathory-Kitsz has made work for sound sculptures, soloists, electronics, stage shows, orchestras, dancers, interactive multimedia, installations, and performance events, having written more than 950 compositions.

He encouraged the chamber opera rebirth with Plasm over ocean (1977) at the World Trade Center; the interactive performance piece Echo (1985) used handmade instruments; the museum installation In Bocca al Lupo (1991) and outdoor installation Traveler’s Rest (1992) were collaborations with sculptor Fernanda D’Agostino for quasi-intelligent systems; he was the first American commissioned for Prague’s Mánes Museum, conducting Zonule Glaes II (1999) for string quartet and electronics; and retrospective concerts were presented in Europe beginning in 2003. His recorded compositions include Detritus of Mating (Sistrum), zéyu, quânh & sweeh (Frog Peak), iskajtbrz (UnLimit), The Warbler’s Garden (Capstone), Snare:Wilding (illegal art), krikisque and Future Remembrance (60x60) and Icecut (Perschbacher). Dennis co-hosts the award-winning program Kalvos & Damian, co-founded the NonPop International Network, is project director for numerous art and music festivals, and created the We Are All Mozart project to encourage composers’ public work.