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Andrew Rindfleisch | |
Andrew Rindfleisch (b. 1963) is an internationally active
composer, conductor, and pianist whose work continues to gain consistent
critical and popular acclaim. A leading composer of his generation, he
has produced dozens of works for the concert hall, including solo,
chamber, vocal, choral, orchestral, and wind music. His committed
interest in other forms of music-making have also led him to the
composition and performance of jazz and related forms of improvisation.
As a composer, Mr. Rindfleisch has been awarded many prestigious honors
in recognition of his work. He is the 1997-98 recipient of the coveted
Rome Prize and in 1996 received a John Simon Guggenheim Foundation
Fellowship. Most recently, he received the 2002 Cleveland Arts Prize,
the 2001 Aaron Copland Award, and the 2000 Koussevitzky Foundation
Commission from the Library of Congress. He has also been the recipient
of over thirty-five other prizes and awards, including those from the
American Academy of Arts and Letters, the Fromm Foundation, ASCAP, and
the League of Composers-ISCM. He has participated in dozens of renowned
music festivals and has received residency fellowships from the Charles
Ives Center for American Music, the Czech-American Music Institute in
Prague, the June in Buffalo Contemporary Music Festival, the MacDowell
Colony, and the Pierre Boulez Workshop at Carnegie Hall, among others.
Mr. Rindfleisch holds degrees from the University of Wisconsin at
Madison (Bachelor of Music), the New England Conservatory of Music
(Master of Music), and Harvard University (PhD). | |
An active conductor and producer, Mr. Rindfleisch's commitment to
contemporary music culture has brought into performance over 500 works
by living composers over the past 15 years. He has founded several
contemporary music ensembles and is currently the Music Director of both
the Cleveland Contemporary Players and the Utah Arts Festival Orchestra-
both committed to performing, presenting, and commissioning new works.
Mr. Rindfleisch regularly makes guest conducting appearances throughout
the United States and abroad with many diverse musical organizations;
from opera and musical theatre, to orchestral, jazz, improvisational,
and contemporary avant-garde ensembles. Mr. Rindfleisch is currently a Professor of Music and Head of Music Composition Studies at Cleveland State University. Here, he has built one of the most unique and supportive programs of composition study in the country that includes the Cleveland Contemporary Players and an unprecedented Music Composition Resource Center (please visit the Music Department at Cleveland State for more information). | |
Complete Works (Chronological) Graue Liebesschlangen (2005) for SATB unaccompanied mixed chorus duration: 4 minutes Commissioned by the San Antonio Chamber Choir Premiered by the San Antonio Chamber Choir, San Antonio, TX (September, 2005) Night Singing (2004) for clarinet (doubling bass clarinet), piano, and two percussion duration: 24 minutes Commissioned by Zeitgeist Premiered by Zeitgeist, Minneapolis, MN (November, 2004) Me! Come! My Dazzled Face! (2004) for SSAA unaccompanied women’s chorus duration: 3 minutes Commissioned by the Isthmus Vocal Ensemble Premiered by Isthmus Vocal Ensemble, Madison, WI (August, 2004) To His Music (2003) for SATB unaccompanied mixed chorus duration: 8 minutes Commissioned by the Eastman Chorale, the Isthmus Vocal Ensemble, Trinity University Choir, and the Wichita State University Concert Chorale Premiered by the Isthmus Vocal Ensemble, Madison, WI (August, 2003) Two Pieces (2002) for violin and piano duration: 10 minutes Commissioned by violinist Rolf Schulte Premiered by Rolf Schulte, vln. and James Winn, pno., Cleveland, OH (Feb., 2003) The Light Fantastic (2001) for wind ensemble 3 fl (3 picc), 2 cl, bass cl (solo), 2 ob, 2 bsn, 2 hn, 2 trpt, 2 trmb, tb duration: 26 minutes Commissioned by the Serge Koussevitzky Foundation and the Library of Congress Premiered by the Chamber Symphony Winds, Cleveland, OH (Sept., 2001) What Vibes! (2000) for six players fl (picc), cl (e flat, bass), vln, vcl, pno, perc duration: 13 minutes Commissioned by the Paul Fromm Foundation at Harvard University Premiered by the Phantom Arts Ensemble, Boston, MA (March, 2000) Reverie (1999) for piano solo duration: 10 minutes Commissioned by Charles and Jesse Price Premiered by John Kamitsuka, Merkin Concert Hall, New York City (March 1999) Circus Music (1999) for chamber orchestra picc, fl, ob, bsn, 2 hn, 2 trpt, 2 trmb, timp, 2 perc, hrp, pno, strings duration: 11 minutes Commissioned by the Cleveland Chamber Symphony Premiered by the Cleveland Chamber Symphony, Cleveland, OH (Nov., 1999) Psalm (1998) for SATB unaccompanied mixed chorus duration: 5 minutes Commissioned by Modus Novus, Scott MacPherson, conductor Premiered by Modus Novus, Cologne, Germany (June, 1998) Hallucinations (1997) for solo viola duration: 10 minutes Commissioned by violist David Quiggle Premiered by David Quiggle, Rome, Italy (May, 1998) Tears (1994) for solo flute duration: 9 minutes Commissioned by the University of Wisconsin Music and Dance Collaborative Premiered by Jean DeMart, University of Wisconsin (May, 1994) Trio (1993) for piano, violin and violoncello duration: 16 minutes Premiered by the Harvard Group for New Music, Harvard University (April, 1993) Fanatical Dances (1992) for seven players fl (alto and bass), cl (bass), vln, vcl, pno, two perc duration: 11 minutes Premiered by the California EAR Unit, Cambridge, MA (October, 1992) Birthday Music (1991) for piano solo duration: 9 minutes Premiered by Geoffrey Burleson, Harvard University (March, 1991) Three Songs (1990) for soprano and piano text: A.M. Perez duration: 9 minutes Premiered by Johanne Blank, Tangelwood,Lenox, MA (August, 1990) Lady Evergreen Song (1990) for SATB unaccompanied mixed chorus, with mezzo soprano solo text: A.M. Perez duration: 15 minutes Premiered by the Gregg Smith Singers, Lake Placid, NY (July, 1994) Gebet (1989) for TTBB unaccompanied male chorus text: Eduard Morike duration: 3 minutes Premiered by the USC Men’s Chorus, Los Angeles, CA (November, 1989) Chorale and Prayer (1989) for trombone choir (or trombone quartet) duration: 4 minutes Premiered by the New England Conservatory Trombone Choir (April, 1989) Fanfare (1988) for brass quintet duration: 1 minute Premiered by the Wisconsin Brass Quintet, Madison, WI (April, 1988) Sweet Rose Fair Flower (1988) for SATB unaccompanied mixed chorus text: William Shakespeare duration: 7 minutes Premiered by the Masters Singers, Madison, WI (April, 1988) Dixit Dominus (1987) for SATB unaccompanied mixed chorus text: Psalm 109 (Biblical) duration: 9 minutes Premiered by the Isthmus Vocal Ensemble, Madison, WI (August, 2004) In Manus Tuas (1986) for SATB unaccompanied mixed chorus text: sacred duration: 3 minutes Premiered by the Chamber Singers, University of Wisconsin (April 1987) Sonata (1985) for trumpet and piano duration: 14 minutes Premiered by the University of Wisconsin Contemporary Ensemble (April 1986) Barcarolle (1983) for string orchestra duration: 4 minutes Premiered by the Cleveland Chamber Symphony, Cleveland, OH (December, 1999) | |
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